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EPIPHANY
Yann Leto, Ivana de Vivanco, Gabriel Coca,
Rita Sala,Víctor González y Natalia Suárez
From April 5 to May 17, 2025.
Curated by Victoria Rivers
On a winter afternoon,
as I watched the light
passing through my window,
I thought of the invisible connections
that link revelations across time.
Joan of Arc listening to her voices in the garden of Domrémy, trembling at the magnitude of her mission— not so different from Leonard Cohen waking up at three in the morning, writing “Hallelujah” verse by verse over years of doubt and fragmented revelations, both chasing something they could not explain.
Not so different from Marcel Proust, sitting in his room, a spoonful of madeleine in his hand, discovering—through taste—the hidden corners of his memory, unveiling the structure of his greatest works. It reminded me of Albert Hofmann in his Basel lab in 1943 when a tiny accidental touch of LSD-25 opened the doors of perception during his famous bicycle ride home.
Marie Curie, in her dark laboratory, seeing for the first time the bluish glow of radium in a flask—a light that would change our understanding of matter. And then there was Virginia Woolf, walking through the streets of London, when the entire structure of Mrs. Dalloway revealed itself to her as a web of invisible connections between people and moments.
And then there was Dalí, on that hot Catalonian night, watching a Camembert cheese melt on the table while his feverish mind transformed that mundane moment into the soft clocks that would haunt the art world. All of them, separated by centuries and purposes, yet united by that blinding instant of clarity that arrives like a thief in the night—without warning, without permission—forever altering the course of their lives and, by extension, ours.
Like that July noon when Scott Fahlman, frustrated by misunderstandings in text messages, scribbled the colon and parenthesis that would become the first emoticon 🙂—a stellar moment that, as Zweig would say, condensed “an immensity of events into a single minute.”
This collective exhibition delves into the power of creation as a means to explore and shape humanity’s greatest questions. Through the presented works, viewers are invited to reflect on how creation is not only a personal manifestation but also a reflection of the social and spiritual transformations that shape our world. Each piece in Epiphany acts as a point of connection between the individual and the collective, revealing how, through the creative act, the boundaries of time and space can be transcended, reaching new dimensions of consciousness that affect both the creator and society.